Jonathan J Sandberg
"Ceiba"
14" x 21.5" x 3.5"
Acrylics on Reclaimed Panel with Found Objects
$900
Seymor builds glitchy dreamscapes. At the intersection of impressionism & cubism with the energy of graffiti behind the wheel. They tend to give the impression of being distorted. Think of rain on a windshield, or a veil into another world.
Jonathan J Sandberg (Seymor) has never been able to stick to one medium. The most common in recent years would be the use of several square stencils & a spray can. The surface is typically wooden, as woodworking is his current #2. Brushwork and markers are also commonplace. Every once in a while, there will be a cameo from steel, ceramics, collage or brass, among others.
Another common element to Seymor’s work would be other artists. Collaboration has been a lifelong staple in his practice. Not always, but sometimes 2+2=5.
"Ceiba"
14" x 21.5" x 3.5"
Acrylics on Reclaimed Panel with Found Objects
$900
Seymor builds glitchy dreamscapes. At the intersection of impressionism & cubism with the energy of graffiti behind the wheel. They tend to give the impression of being distorted. Think of rain on a windshield, or a veil into another world.
Jonathan J Sandberg (Seymor) has never been able to stick to one medium. The most common in recent years would be the use of several square stencils & a spray can. The surface is typically wooden, as woodworking is his current #2. Brushwork and markers are also commonplace. Every once in a while, there will be a cameo from steel, ceramics, collage or brass, among others.
Another common element to Seymor’s work would be other artists. Collaboration has been a lifelong staple in his practice. Not always, but sometimes 2+2=5.
"Ceiba"
14" x 21.5" x 3.5"
Acrylics on Reclaimed Panel with Found Objects
$900
Seymor builds glitchy dreamscapes. At the intersection of impressionism & cubism with the energy of graffiti behind the wheel. They tend to give the impression of being distorted. Think of rain on a windshield, or a veil into another world.
Jonathan J Sandberg (Seymor) has never been able to stick to one medium. The most common in recent years would be the use of several square stencils & a spray can. The surface is typically wooden, as woodworking is his current #2. Brushwork and markers are also commonplace. Every once in a while, there will be a cameo from steel, ceramics, collage or brass, among others.
Another common element to Seymor’s work would be other artists. Collaboration has been a lifelong staple in his practice. Not always, but sometimes 2+2=5.